FAQ
FAQ

 

Contents


Recent changes (last posted to newsgroups on Feb 9):

  • 01-07-26: A few more forecasts. (1.9)

  • 01-07-25: Info on writing to DVD-RW in Apple Superdrive. (4.3)

  • 01-07-20: Link to list of ISF-recommended DVDs at Films on Disc. (1.48)

  • 01-07-19: New location of Russian translation of the DVD FAQ. (0.1)

  • 01-07-19: Minor improvements to audio explanation. (3.6.3)

  • 01-07-19: Added BinaryFlix and DVD Verdict to review list. Raised listing requirement to 800 reviews. (1.6.1)

  • 01-07-18: Minor changes to explanations of regions and NTSC vs. PAL. (1.10 and 1.19)

  • 01-07-08: Removed link to letterbox explanation at Widescreen Cinema (pages removed). (1.38)

  • 01-07-06: Further explanation of CPPM and CPRM. New section on HDCP. (1.11)

  • 01-07-06: Explanation of the three types of DVD-RW discs. Link to another DVD+RW info site. (4.3)

  • 01-07-06: A bit more about audio sync problems, plus a link to Michael D's page with many more details. (1.35)

  • 01-07-05: Updated info on creating your own DVDs (now possible for under $2000). (5.8)

  • 01-07-02: Removed link to Laserviews (site is defunct). (1.6.2)

  • 01-06-22: New location of Japanese translation of the DVD FAQ. (0.1)

  • 01-06-22: Better compatibility of DVD-R(A) 3.95G discs. (4.3)

  • 01-06-18: A bit more about RCE discs. Link to more RCE info at DVDTalk. (1.10)

  • 01-06-18: Explanation of SECAM TVs accepting PAL signals. (1.19)

  • 01-06-11: More details of ever-confusing recordable DVD formats. (4.3)

  • 01-06-11: A few updates on prices for creating your own DVDs. Link to VCDHelp.com. (5.8)

  • 01-06-06: Minor update on DVD-Audio. (1.12)

  • 01-06-04: Player statistics for Europe. (1.9) (Thanks, Jean-Luc)

  • 01-06-01: Panasonic DVD-R/RAM drive. (4.3)

  • 01-05-21: A bit of DVD+R info. (4.3)

  • 01-05-14: Minor clarifications on interlaced video and 2-3 pulldown. (3.8)

  • 01-05-14: List of all allowed picture resolutions. (3.4)

  • 01-05-08: New question: [1.48] Are there discs to help me test and optimize my video system?

  • 01-05-08: Removed broken link to rental list at DVD Post. (6.3)

  • 01-04-26: Updated info on playing DVD in IE, PowerPoint, etc. Incorporated table. (4.9)

  • 01-04-26: New link to FlikFX (which is a clever joke, by the way). (1.38)

  • 01-04-20: Removed HDHDDVD section, which was an April Fool's joke.

  • 01-04-20: Added note that dirty/scratched discs can cause playback problems. (1.41)

  • 01-04-20: Clarified that PS2 game region locking is different from DVD regions. (1.10)

  • 01-04-16: Anti-letterboxing (letterschlocking) page is gone. Removed links to it and to rebuttal. (1.38)

  • 01-04-13: Software players for Linux/Unix/etc. (4.1)

  • 01-04-13: VideoLan project for playing DVD over a network. (4.7)

  • 01-04-03: Corrected Fahrenheit temperature variation value. (1.39)

  • 01-04-01: Not all DVD players reproduce Closed Captions. (1.45)


[0] Where can I get the DVD FAQ?

[0.1] Has the DVD FAQ been translated into other languages?

The following translations of the DVD FAQ are available. Translations to a few other languages are in progress.

If you'd like to translate the DVD FAQ into another language (Klingon, anyone?), please contact Jim.

[0.2] This FAQ is too long and technical. Is there a simpler version?

You betcha. Take a gander at Earl's Famous DVD Technology Exposition Web Page Extravaganza Supreme Deluxe <lonestar.texas.net/~bdub/earl/dvd.htm>.

[0.3] Is this FAQ any good? How do I know it's accurate?

Here are a few user comments on the DVD FAQ. It's the most accurate source of DVD information in this galaxy. If you find something you think is in error, please let Jim know.

Pointers to other DVD sites are scattered throughout the FAQ and in section 6.4.

[0.4] How big is this thing?

Since you asked, here are the stats as of Jan, 2001:

Size: 433 KB (443,727 bytes)
Number of words: 54,506
Number of links: 1030

If you're wondering why it's all in one big piece instead of broken into smaller pieces that would load faster, the main reason is so you can use the find feature of your browser to easily search the entire FAQ.


[1] General DVD

[1.1] What is DVD?

DVD, which once stood for digital video disc or digital versatile disc, is the next generation of optical disc storage technology. It's essentially a bigger, faster CD that can hold cinema-like video, better-than-CD audio, and computer data. DVD aims to encompass home entertainment, computers, and business information with a single digital format, eventually replacing audio CD, videotape, laserdisc, CD-ROM, and video game cartridges. DVD has widespread support from all major electronics companies, all major computer hardware companies, and all major movie and music studios. With this unprecedented support, DVD has become the most successful consumer electronics product of all time in less than three years of its introduction.

It's important to understand the difference between the physical formats (such as DVD-ROM or DVD-R) and the application formats (such as DVD-Video or DVD-Audio). DVD-ROM is the base format that holds data. DVD-Video (often simply called DVD) defines how video programs are stored on disc and played in a DVD-Video player or a DVD computer (see 4.1). The difference is similar to that between CD-ROM and Audio CD. DVD-ROM includes recordable variations DVD-R, DVD-RAM, DVD-RW, and DVD+RW (see 4.3). The application formats include DVD-Video, DVD-Video Recording, DVD-Audio (see 1.12), DVD-Audio Recording, DVD Stream Recording, and SACD. There are also special application formats for game consoles such as Sony PlayStation 2.

[1.2] What are the features of DVD-Video?

  • Over 2 hours of high-quality digital video (a double-sided, dual-layer disc can hold 8 hours of high-quality video, or 30 hours of VHS quality video).
  • Support for widescreen movies on standard or widescreen TVs (4:3 and 16:9 aspect ratios).
  • Up to 8 tracks of digital audio (for multiple languages, DVS, etc.), each with as many as 8 channels.
  • Up to 32 subtitle/karaoke tracks.
  • Automatic "seamless" branching of video (for multiple story lines or ratings on one disc).
  • Up to 9 camera angles (different viewpoints can be selected during playback).
  • Menus and simple interactive features (for games, quizzes, etc.).
  • Multilingual identifying text for title name, album name, song name, cast, crew, etc.
  • Instant rewind and fast forward (no "be kind, rewind" stickers and threats on rental discs)
  • Instant search to title, chapter, music track, and timecode.
  • Durable (no wear from playing, only from physical damage).
  • Not susceptible to magnetic fields. Resistant to heat.
  • Compact size (easy to handle, store, and ship; players can be portable; replication is cheaper than tapes or laserdiscs).
  • Noncomedogenic.

Note: Most discs do not contain all features (multiple audio/subtitle tracks, seamless branching, parental control, etc.), as each feature must be specially authored. Some discs may not allow searching or skipping.

Most players support a standard set of features:

  • Language choice (for automatic selection of video scenes, audio tracks, subtitle tracks, and menus).*
  • Special effects playback: freeze, step, slow, fast, and scan (no reverse play or reverse step).
  • Parental lock (for denying playback of discs or scenes with objectionable material).*
  • Programmability (playback of selected sections in a desired sequence).
  • Random play and repeat play.
  • Digital audio output (PCM stereo and Dolby Digital).
  • Compatibility with audio CDs.

* Must be supported by additional content on the disc.

Some players include additional features:

  • Component video output (YUV or RGB) for higher quality picture.
  • Progressive-scan component output (YUV or RGB) for highest quality analog picture.
  • Digital video output (SDI, 1394, or DVI) for perfect digital picture.
  • Six-channel analog output from internal audio decoder.
  • Recognition and output of DTS Digital Surround audio tracks.
  • Compatibility with Video CDs or Super Video CDs.
  • Compatibility with laserdiscs and CDVs.
  • Compatibility with MP3 CDs.
  • Ability to play Divx discs.
  • Reverse single frame stepping.
  • Reverse play (normal speed).
  • RF output (for TVs with no direct video input).
  • Multilingual on-screen display.
  • Multiple disc capacity.
  • Digital zoom (2x or 4x enlargement of a section of the picture). This is a player feature, not a DVD disc feature.

[1.3] What's the quality of DVD-Video?

DVD has the capability to produce near-studio-quality video and better-than-CD-quality audio. DVD is vastly superior to consumer videotape and generally better than laserdisc (see 2.8.). However, quality depends on many production factors. As compression experience and technology improves we will see increasing quality, but as production costs decrease we will also see more shoddily produced discs. A few low-budget DVDs will even use MPEG-1 encoding (which is no better than VHS) instead of higher-quality MPEG-2.

DVD video is usually encoded from digital studio master tapes to MPEG-2 format. The encoding process uses lossy compression that removes redundant information (such as areas of the picture that don't change) and information that's not readily perceptible by the human eye. The resulting video, especially when it is complex or changing quickly, may sometimes contain visual flaws, depending on the processing quality and amount of compression. At average video data rates of 3.5 to 5 Mbps (million bits/second), compression artifacts may be occasionally noticeable. Higher data rates can result in higher quality, with almost no perceptible difference from the master at rates above 6 Mbps. As MPEG compression technology improves, better quality is being achieved at lower rates.

Video from DVD sometimes contains visible artifacts such as color banding, blurriness, blockiness, fuzzy dots, shimmering, missing detail, and even effects such as a face that "floats" behind the rest of the moving picture. It's important to understand that the term "artifact" refers to anything that was not originally present in the picture. Artifacts are sometimes caused by poor MPEG encoding, but artifacts are more often caused by a poorly adjusted TV, bad cables, electrical interference, sloppy digital noise reduction, improper picture enhancement, poor film-to-video transfer, film grain, player faults, disc read errors, etc. Most DVDs exhibit few visible MPEG compression artifacts on a properly configured system.. If you think otherwise, you are misinterpreting what you see.

Some early DVD demos were not very good, but this is simply an indication of how bad DVD can be if not properly processed and correctly reproduced. Many demo discs were rushed through the encoding process in order to be distributed as quickly as possible. Contrary to common opinion, and as stupid as it may seem, these demos were not carefully "tweaked" to show DVD at its best. In-store demos should be viewed with a grain of salt, since most salespeople are incapable of properly adjusting a television set. 

Most TVs have the sharpness set too high for the clarity of DVD. This exaggerates high-frequency video and causes distortion, just as the treble control set too high for a CD causes it to sound harsh. Many DVD players output video with a black-level setup of 0 IRE (Japanese standard) rather than 7.5 IRE (US standard). On TVs that are not properly adjusted this can cause some blotchiness in dark scenes. DVD video has exceptional color fidelity, so muddy or washed-out colors are almost always a problem in the display (or the original source), not in the DVD player or disc.

DVD audio quality is superb. DVD includes the option of PCM (pulse code modulation) digital audio with sampling sizes and rates higher than audio CD. Alternatively, audio for most movies is stored as discrete, multi-channel surround sound using Dolby Digital or DTS audio compression similar to the digital surround sound formats used in theaters. As with video, audio quality depends on how well the processing and encoding was done. In spite of compression, Dolby Digital and DTS can be close to or better than CD quality.

The final assessment of DVD quality is in the hands of consumers. Most viewers consistently rate it better than laserdisc, but no one can guarantee the quality of DVD, just as no one should dismiss it based on demos or hearsay. In the end it's a matter of individual perception and the level of quality delivered by the playback system.

[1.4] What are the disadvantages of DVD?

  • It will take years for movies, TV shows, other video programming, and computer software to become widely available.
  • Vagueness of spec and inadequate testing of players and discs has resulted in incompatibilities. Some movie discs don't function fully (or don't play at all) on some players. (See 1.41)
  • It can't record (yet). (See 1.14 and 4.3)
  • It has built-in copy protection and regional lockout. (See 1.11 and 1.10)
  • It uses digital compression. Poorly compressed audio or video may be blocky, fuzzy, harsh, or vague. (See 1.3)
  • The audio downmix process for stereo/Dolby Surround can reduce dynamic range. (See 3.6)
  • It doesn't fully support HDTV. (See 2.9)
  • Some DVD players and drives may not be able to read CD-Rs. (See 2.4.3)
  • Current DVD players and drives can't read DVD-RAM discs. (See 4.3)
  • Very few players can play in reverse at normal speed.
  • Variations and options such as DVD-Audio, DVD-VR, and DTS audio tracks are not supported by all players.

[1.5] What DVD players and drives are available?

Some manufacturers originally announced that DVD players would be available as early as the middle of 1996. These predictions were woefully optimistic. Delivery was initially held up for "political" reasons of copy protection demanded by movie studios, but was later delayed by lack of titles. The first players appeared in Japan in November, 1996, followed by U.S. players in March, 1997. Players slowly trickled in to other regions. Now, almost four years after the initial launch, over two hundred models of DVD players are available from dozens of electronics companies. Prices for the first players were $1000 and up. By the end of 2000, players were available for under $100 at discount retailers.

See section 6.2 for a list of companies that provide DVD players.

Fujitsu supposedly released the first DVD-ROM-equipped computer on Nov. 6 in Japan. Toshiba released a DVD-ROM-equipped computer and a DVD-ROM drive in Japan in early 1997 (moved back from December which was moved back from November). DVD-ROM drives from Toshiba, Pioneer, Panasonic, Hitachi, and Sony began appearing in sample quantities as early as January 1997, but none were to be available before May. The first upgrade kits (combination DVD-ROM drive and decoder hardware) became available from Creative Labs, Hi-Val, and Diamond Multimedia in April and May of 1997.

Today, every major PC manufacturer has models that include DVD-ROM drives. The price difference from the same system with a CD-ROM drive ranges from $30 to $200 (laptops have more expensive drives). Upgrade kits for older computers are available for $100 to $700 from Creative Labs, DynaTek, E4 (Elecede), Hi-Val, Leadtek, Margi Systems (for laptops), Media Forte, Pacific Digital, Sigma Designs, Sony, STB Systems, Toshiba, Utobia, and others. For more information about DVDs on computers, including writable DVD drives, see section 4.

Note: If you buy a player or drive from outside your country (e.g., a Japanese player for use in the US) you may not be able to play region-locked discs on it. (See 1.10.)

More information:

[1.5.1] Which player should I buy?

There are many good players available. Video and audio performance in all modern DVD players is excellent. Personal preferences, your budget, and your existing home theater setup all play a large role in what player is best for you. Unless you have a high-end home theater setup, a player that costs under $400 should be completely adequate. Make a list of things that are important to you (such as ability to play CD-Rs, ability to play Video CDs, 96 kHz/24-bit audio decoding, DTS Digital Out, internal 6-channel Dolby Digital decoder) to help you come up with a set of players. Then try out a few of the players in your price range, focusing on ease of use (remote control design, user interface, front-panel controls). Since there is not a big variation in picture quality and sound quality within a given price range, convenience features play a big part. The remote control, which you'll use all the time, can drive you crazy if it doesn't suit your style.

Some players, especially cheaper models, don't properly play all discs. Before buying a player, you may want to test it with a few complex discs such as The Matrix, The Abyss, Independence Day, and DVD Demystified. See 1.41 for more information.

In certain cases, you might want to buy a DVD PC instead of a standard DVD player, especially if you want progressive video. See 1.40 and 4.1

Here are a few questions to ask yourself.

- Do I want selectable sound tracks and subtitles, multiangle viewing, aspect ratio control, parental/multirating features, fast and slow playback, great digital video, multichannel digital audio, compatibility with Dolby Pro Logic receivers, on-screen menus, dual-layer playback, and ability to play audio CDs? If so, this is the wrong question to ask yourself, since all DVD players have all of these features.
- Do I want DTS audio? If so, look for a player with the "DTS Digital Out" logo. (See 3.6.2.) 
- Do I want to play Video CDs? If so, check the specs for Video CD compatibility. (See 2.4.5.)
- Do I need a headphone jack?
- Do I want player setup menus in languages other than English? If so, look for multilanguage setup feature. (Note: the multilanguage menus on certain discs are supported by all players.)
- Do I want to play homemade CD-R audio discs? If so look for the "dual laser" feature. (See 2.4.3.)
- Do I want to replace my CD player? If so, you might want a changer that can hold 3, 5, or even hundreds of discs.
- Do I want to control all my entertainment devices with one remote control? If so, look for a player with a programmable universal remote, or make sure your existing universal remote is compatible with the DVD player.
- Do I want to zoom in to check details of the picture? If so, look for players with picture zoom.
- Do I want to play HDCDs? If so, check for the HDCD logo. (See 2.4.13.)
- Does my receiver have only optical or only coax digital audio inputs? If so, make sure the player has outputs to match. (See 3.2.)
- Do I care about black-level adjustment?
- Do I appreciate special deals? If so, look for free DVD coupons and free DVD rentals that are available with many players.

For more information, read hardware reviews at Web sites such as DVDFile or in magazines such as Widescreen Review. You may also want to read about user experiences at Audio Review and in online forums at Home Theater Forum and DVDFile. There's more advice at DVDBuyingGuide and at eCoustics.com, which also has a list of links to reviews on other sites.

See sections 3.1 and 3.2 for specific information on what audio/video connections are needed to fit into your existing setup.

[1.6] What DVD titles are available?

As with hardware, rosy predictions of hundreds of movie titles for Christmas of 1996 failed to materialize. Only a handful of DVD titles, mostly music videos, were available in Japan for the November 1996 launch of DVD. Actual feature films began to appear in Japan in December. By April there were over 150 titles in Japan. The first titles released in the U.S., on March 19, 1997, by Lumivision, were Africa: The Serengeti, Antarctica, The Rainforest, and Animation Greats. The Warner Bros. U.S. launch happened on March 24, but was limited to seven cities.  Almost 19,000 discs were purchased in the first two weeks of the US launch -- more than expected. InfoTech predicted over 600 titles by the end of 1997 and more than 8,000 titles by 2000. By December 1997, over 1 million individual DVD discs were shipped. By the end of 1999, over 100 million discs had shipped. By the end of 2000 there were over 10,000 titles available in the US and over 15,000 worldwide. Compared to other launches (CD, LD, etc.) this is a huge number in a very short time.

See 6.3 for a list of Web sites where you can buy or rent DVDs.

Availability of DVD hardware and software in Europe runs about a year to 18 months behind the US. A number of launches were announced with little follow-through, but DVD began to become established around the end of 1998.

Doug MacLean has a searchable and downloadable database of region 1 movie titles at <www.hometheaterinfo.com/dvdlist.htm>. Perry Denton has a text list of region 1 titles at <www.surroundfreak.com/dvd/dvd1.htm>. 7th Zone has a searchable list of region 1 and region 2 titles. Also check out the Internet Movie Database's DVD Browser or the searchable and downloadable database from the DVD Entertainment Group. There are also good searchable databases at DVD File, Express.com, and DVD Planet. For a list of widescreen-specific DVD titles, visit Widescreen Review.

Concorde Video released a PAL-format 12 Monkeys in Germany at the end of March 1997. They were threatened by Philips with a lawsuit for not including a multichannel MPEG track, but the issue was resolved (see 3.6).

DVD-ROM software is slowly appearing. See 6.2 for a list. Many initial DVD-ROM titles are only be available as part of a hardware or software bundle until the market grows larger. IDC expected that over 13 percent of all software would be available in DVD-ROM format by the end of 1998, but reality didn't meet expectations. In one sense, DVD-ROMs are simply larger faster CD-ROMs and will contain the same material. But DVD-ROMs can also take advantage of the high-quality video and multi-channel audio capabilities being added to many DVD-ROM-equipped computers.

[1.6.1] Where can I read reviews of DVDs?

The following sites have reviews of at least 800 discs. Also see the list of DVD review sites at Yahoo.

[1.6.2] How do I find out when a movie will be available on DVD?

First, check one of the lists and databases mentioned in 1.6 to make sure it's not already available. Then check the upcoming release lists at DVD Review and Laser Scans. There's also the release list at Image Entertainment. A good source of info about unannounced titles is The Digital Bits Rumor Mill.

[1.7] How much do players and drives cost?

Mass-market DVD movie players currently list for $140 to $3000. (See 1.5 for more information.) DVD-ROM drives and upgrade kits for computers sell for around $50 to $600. (OEM drive prices are around $60.) Prices are expected to eventually drop to current CD-ROM drive levels.

[1.8] How much do discs cost?

It varies, but most DVD movies list for $20 to $30 with street prices between $15 and $25, even those with supplemental material. Low-priced movies can be found for under $10. So far DVD has not followed the initial high rental-price model of VHS.

DVD-ROMs are usually slightly more expensive than CD-ROMs since there is more on them, they cost more to replicate, and the market is smaller. But once production costs drop and the installed base of drives grow, DVD-ROMs will cost about the same as CD-ROMs today.

[1.9] How is DVD doing? Where can I get statistics?

DVD did not take off quite as fast as some early predictions, but it has sold faster than videotape, CD, and laserdisc. In fact, before its third birthday in March 2000, DVD had become the most successful consumer electronics entertainment product ever.

Here are some predictions:

  • Toshiba (1996): 100,000 to 150,000 DVD-Video players will be sold in Japan between Nov. 1 and Dec. 31, 1996, and 750,000-1 million by Nov. 1, 1997. (Actual count of combined shipments by Matsushita, Pioneer, and Toshiba was 70,000 in Oct-Dec 1996.)
  • Pioneer (1996): 400,000 DVD-Video players in 1996, 11 million by 2000. 100,000 DVD-Audio players in 1996, 4 million by 2000.
  • InfoTech (1996): 820,000 DVD-Video players in first year, 80 million by 2005.
  • CEMA (1997): 400,000 DVD-Video players in U.S. in 1997, 1 million in 1998.
  • Time-Warner (1996): 10 million DVD players in the U.S. by 2002.
  • Paul Kagan (1997): 800,000 DVD players in the U.S. in 1997, 10 million in 2000, and 40 million in 2006 (43% penetration). 5.6 million discs sold in 1997, 172 million discs in 2000, and 623 million in 2006.
  • C-Cube (1996): 1 million players and drives in 1997.
  • BASES: 3 million DVD-Video players sold in first year, 13 million sold in 6th year.
  • Dataquest (1997): over 33 million shipments of DVD players and drives by 2000.
  • Philips (1996): 25 million DVD-ROM drives worldwide by 2000 (10% of projected 250 million optical drives).
  • Pioneer (1996): 500,000 DVD-ROM drives sold in 1997, 54 million sold in 2000.
  • Toshiba (1996): 120 million DVD-ROM drives in 2000 (80% penetration of 100 million PCs). Toshiba says they will no longer make CD-ROM drives in 2000.
  • IDC (1997): 10 million DVD-ROM drives sold in 1997, 70 million sold in 2000 (surpassing CD-ROM), 118 million sold in 2001. Over 13% of all software available on DVD-ROM in 1998. DVD recordable drives more than 90% of combined CD/DVD recordable market in 2001.
  • AMI (1997): installed base of 7 million DVD-ROM drives by 2000.
  • Intel (1997): 70 million DVD-ROM drives by 1999 (sales will surpass CD-ROM drives in 1998).
  • SMD (1997): 100 million DVD-ROM/RAM drives shipped in 2000.
  • Microsoft (Peter Biddle, 1997): 15 million DVD PCs sold in 1998, 50 million DVD PCs sold in 1999.
  • Microsoft (Jim Taylor, 1998): installed base of 35 million DVD PCs in 1999.
  • Forrester Research (1997): U.S. base of 53 million DVD-equipped PCs by 2002. 5.2% of U.S. households (5 million) will have a DVD-V player in 2002; 2% will have a DVD-Audio player.
  • Yankee Group (Jan 1998): 650,000 DVD-Video players by 1998, 3.6 million by 2001. 19 million DVD-PCs by 2001.
  • InfoTech (Jan 1998): 20 million DVD-Video players worldwide in 2002, 58 million by 2005. 99 million DVD-ROM drives worldwide in 2005. No more than 500 DVD-ROM titles available by the end of 1998. About 80,000 DVD-ROM titles available by 2005.
  • Screen Digest (Dec 1998): 125,000 DVD-Video player in European homes in 1998, 485,000 in 1999, 1 million in 2000.
  • IRMA (Apr 2000): 12 million players will ship worldwide in 2000.
  • Baskerville (Apr 2000): Worldwide spending on DVD software will surpass that of VHS by 2003. There will be a worldwide installed based of 625 million DVD players by 2010 (55% of TV households).
  • Jon Peddie (Jun 2000): Almost 20 million DVD players will be sold in the U.S. in 2004.
  • IDC (July 2000): 70 million DVD players and drives will be sold by year's end.
  • Screen Digest (June 2000): European installed base of DVD-Video players (1998) 0.3m; (1999) 1.5m; (2000) 5.4m; (2003) 47.1m.
  • Japanese Electronics and Information Technologies Association (December 2000): 37 million DVD players worldwide by 2001.
  • DVD Entertainment Group (July 2001): Approximately 30 million DVD players sold in the U.S. by the end of 2001.

Here's reality:

  • 1997
    • 349,000 DVD-Video players shipped in the U.S. (About 200,000 sold into homes.)
    • 900 DVD-Video titles available in the U.S. Over 5 million copies shipped; about 2 million sold.
    • Over 500,000 DVD-Video players shipped worldwide.
    • Around 330,000 DVD-ROM drives shipped worldwide with about 1 million bundled DVD-ROM titles.
    • 60 DVD-ROM titles (mostly bundled).
  • 1998
    • 1,089,000 DVD-Video players shipped in the U.S. (Installed base of 1,438,000.)
    • 400 DVD-Video titles in Europe (135 movie and music titles).
    • 3,000 DVD-Video titles in the U.S. (2000 movie and music titles).
    • 7.2 million DVD-Video discs purchased.
  • 1999
    • 4,019,000 DVD-Video players shipped in the U.S. (Installed base of 5,457,000.)
    • Over 6,300 DVD-Video titles in the U.S.
    • About 26 million DVD-ROM drives worldwide.
    • About 75 DVD-ROM titles available in the U.S.
  • 2000
    • 8.5 million DVD-Video players shipped in the U.S. (Installed base of 13,922,000.)
    • About 46 million DVD-ROM drives worldwide.
    • Over 10,000 DVD-Video titles available in the U.S.
    • Belgium: 100 thousand installed base
    • France: 1.2 million installed base
    • Germany: 1.2 million installed base
    • Italy: 360 thousand installed base
    • Netherlands: 200 thousand installed base
    • Spain: 300 thousand installed base
    • Sweden: 120 thousand installed base
    • Switzerland: 250 thousand installed base
    • UK: 1 million installed base

For comparison, there were about 700 million audio CD players and 160 million CD-ROM drives worldwide in 1997. 1.2 billion CD-ROMs were shipped worldwide in 1997 from a base of about 46,000 different titles. There were about 80 million VCRs in the U.S. (89% of households) and about 400 million worldwide. 110,000 VCRs shipped in the first two years after release. Nearly 16 million VCRs were shipped in 1998. In 2000 there were about 270 million TVs in the U.S. and 1.3 billion worldwide.When DVD came out in 1997 there were about 3 million laserdisc players in the U.S. 

For latest U.S. player sales statistics, see the CEA page at The Digital Bits. Other DVD statistics and forecasts can be found at IRMA, MediaLine, Twice. Industry analyses and forecasts can be purchased from Adams Media Research, British Video Association, Cahners In-stat, Centris, Datamonitor, Dataquest, DVD Intelligence, eBrain, International Data Corporation (IDC), InfoTech, Jon Peddie Associates (JPA), Paul Kagan Associates, Screen Digest, SIMBA Information, Strategy Analytics, Understanding & Solutions and others.

[1.10] What are "regional codes," "country codes," or "zone locks"?

Motion picture studios want to control the home release of movies in different countries because theater releases aren't simultaneous (a movie may come out on video in the U.S. when it's just hitting screens in Europe). Also, studios sell distribution rights to different foreign distributors and would like to guarantee an exclusive market. Therefore they required that the DVD standard include codes that can be used to prevent playback of certain discs in certain geographical regions. Each player is given a code for the region in which it's sold. The player will refuse to play discs that are not coded for its region. This means that discs bought in one country may not play on players bought in another country. Some people believe that region codes are an illegal restraint of trade, but there have been no legal cases to establish this.

Regional codes are entirely optional for the maker of a disc. Discs without region locks will play on any player in any country. It's not an encryption system, it's just one byte of information on the disc that the player checks. Some studios originally announced that only their new releases would have regional codes, but so far almost all Hollywood releases play in only one region. Region codes are a permanent part of the disc, they won't "unlock" after a period of time. Region codes do not apply to DVD-Audio.

There are 8 regions (also called "locales"). Players and discs are often identified by the region number superimposed on a world globe. If a disc plays in more than one region it will have more than one number on the globe.
1: U.S., Canada, U.S. Territories
2: Japan, Europe, South Africa, and Middle East (including Egypt)
3: Southeast Asia and East Asia (including Hong Kong)
4: Australia, New Zealand, Pacific Islands, Central America, Mexico, South America, and the Caribbean
5: Eastern Europe (Former Soviet Union), Indian subcontinent, Africa, North Korea, and Mongolia
6: China
7: Reserved
8: Special international venues (airplanes, cruise ships, etc.)
(See the map at <www.unik.no/~robert/hifi/dvd/world.html>.)

Technically there is no such thing as a region 0 disc or a region 0 player. There is such thing as an all-region disc. There are also all-region players. Some players can be "hacked" with special command sequences from the remote control to switch regions or play all regions. Some players can be physically modified ("chipped") to play discs regardless of the regional codes on the disc. This usually voids the warranty, but is not illegal in most countries. (The only thing that requires player manufacturers to region-code their players is the CSS license. See 1.11) On Feb. 7, 2001, NASA sent two multiregion DVD players to the International Space Station.

Some discs from Fox, Buena Vista/Touchstone/Miramax, MGM/Universal, Polygram, and Columbia TriStar contain program code that checks for the proper region setting in the player. (There's Something About Mary and Psycho are examples.) In late 2000, Warner Bros. began using the same active region code checking that other studios had been using for over a year. They called it "region code enhancement" (RCE, also known as REA), and it received much publicity. RCE was first added to discs such as The Patriot and Charlie's Angels. "Smart discs" with active region checking won't play on code-free players that are set for all regions (FFh), but they can be played on manual code-switchable players that allow you to change the region using the remote control. They may not work on auto-switching players that recognize and match the disc region. (It depends on the default region setting of the player. An RCE disc has all its region flags set so that the player doesn't know which one to switch to, then it queries the player for the region setting and aborts if it's the wrong one. A default player setting of region 1 will fool RCE discs from region 1. Playing a region 1 disc for a few seconds will set most auto-switching players to region 1 and allow them to play an RCE disc.) When an RCE disc detects the wrong region or an all-region player, it will usually put up a message saying that the player may have been altered and that the disc is not compatible with the player. A serious side effect is that some legitimate players fail the test, such as the Fisher DVDS-1000.

There was much wailing and gnashing of teeth when RCE first appeared, but DVD fans quickly learned that it only affected some players. Makers of player modification kits that didn't work with RCE soon modified their chips to get around it. For every higher wall there is a taller ladder. See DVDTalk's RCE FAQ for more info and workarounds.

Information about modifying players and buying region-free players can be found on the Internet (at sites such as Code Free DVD, Region Free DVD, dvdkits.com, DVD Upgrades, DVD In the World, DVDoverseas, Link Electronics, PlanetDVD, 7thZone, Techtronics, Upgrade Heaven, and <www.brouhaha.com/~eric/video/dvd/>; for Mac: DVD Utilities for Macintosh) and in the rec.video.dvd newsgroups (searchable at Deja.com). There's more codefree player info at DVDCity.

Regional codes apply to game consoles such as PlayStation 2 and Xbox, but only for DVD-Video (movie) discs. PlayStation has a separate regional lockout scheme for games. Regional codes also apply to DVD-ROM systems, but affect only DVD-Video discs, not DVD-ROM discs containing computer software. Computer playback systems check for regional codes before playing movies from a CSS-protected DVD-Video (see 1.11 for CSS info). Newer RPC2 DVD-ROM drives let you change the region code several times. (RPC stands for region protection control.) Once an RPC2 drive has reached the limit of 5 changes it can't be changed again unless the vendor or manufacturer resets the drive. The Drive Info utility can tell you if you have an RPC2 drive (it will say "This drive has region protection"). Drive Info and information about circumventing DVD-ROM region restrictions is available from Internet sites such as Visual Domain and DVD Infomatrix, as well as links listed above. After December 31, 1999, only RPC2 drives are being manufactured.

In addition to region codes, there are also differences in discs for NTSC and PAL TV systems (see 1.19).

[1.11] What are the copy protection issues?

CPSA (content protection system architecture) is the name given to the overall framework for security and access control across the entire DVD family. Developed by the "4C" entity (Intel, IBM, Matsushita, and Toshiba) in cooperation with the Copy Protection Technical Working Group (CPTWG), it covers encryption, watermarking, protection of analog and digital outputs, and so on. There are many forms of content protection that apply to DVD.

1) Analog CPS (Macrovision)
Videotape (analog) copying is prevented with a Macrovision 7.0 or similar circuit in every player. The general term is APS (Analog Protection System), also sometimes called copyguard. Computer video cards with composite or s-video (Y/C) output must also use APS. Macrovision adds a rapidly modulated colorburst signal ("Colorstripe") along with pulses in the vertical blanking signal ("AGC") to the composite video and s-video outputs. This confuses the synchronization and automatic-recording-level circuitry in 95% of consumer VCRs. Unfortunately, it can degrade the picture, especially with old or nonstandard equipment. Macrovision may show up as stripes of color, distortion, rolling, black & white picture, and dark/light cycling. Macrovision creates problems for many line doublers. Macrovision is not present on analog component video output of early players, but is required on newer players (AGC only, since there is no burst in a component signal). The discs contain "trigger bits" telling the player whether or not to enable Macrovision AGC, with the optional addition of 2-line or 4-line Colorstripe. The triggers occur about once a second, which allows fine control over what part of the video is protected. The producer of the disc decides what amount of copy protection to enable and then pays Macrovision royalties accordingly (a few cents per disc). Just as with videotapes, some DVDs are Macrovision-protected and some aren't. (For a few Macrovision details see STMicroelectronics' NTSC/PAL video encoder datasheets at <www.st.com/stonline/books/>.) There are inexpensive devices that defeat Macrovision, although only a few work with the new Colorstripe feature. These devices go under names such as Video Clarifier, Image Stabilizer, Color Corrector, and CopyMaster. Or you can build your own. APS affects only video, not audio. 

2) CGMS
Each disc also contains information specifying if the contents can be copied. This is a "serial" copy generation management system (SCMS) designed to prevent copies or copies of copies. The CGMS information is embedded in the outgoing video signal. For CGMS to work, the equipment making the copy must recognize and respect the CGMS. The analog standard (CGMS/A) encodes the data on NTSC line 20 or line 21 (in the XDS service). CGMS/A is recognized by most digital camcorders and by some computer video capture cards (they will flash a message such as "recording inhibited"). The digital standard (CGMS/D) is not yet finalized, but will apply to digital connections such as IEEE 1394/FireWire. See section 6, below.

3) Content Scrambling System (CSS)
Because of the potential for perfect digital copies, paranoid movie studios forced a deeper copy protection requirement into the DVD standard. Content Scrambling System (CSS) is a data encryption and authentication scheme intended to prevent copying video files directly from DVD-Video discs. CSS was developed primarily by Matsushita and Toshiba. Each CSS licensee is given a key from a master set of 400 keys that are stored on every CSS-encrypted disc. This allows a license to be revoked by removing its key from future discs. The CSS decryption algorithm exchanges keys with the drive unit to generate an encryption key that is then used to obfuscate the exchange of disc keys and title keys that are needed to decrypt data from the disc. DVD players have CSS circuitry that decrypts the data before it's decoded and displayed. On the computer side, DVD decoder hardware and software must include a CSS decryption module. All DVD-ROM drives have extra firmware to exchange authentication and decryption keys with the CSS module in the computer. Beginning in 2000, new DVD-ROM drives are required to support regional management in conjunction with CSS (see 1.10 and 4.1). Makers of equipment used to display DVD-Video (drives, decoder chips, decoder software, display adapters, etc.) must license CSS. There is no charge for a CSS license, but it's a lengthy process, so it's recommended that interested parties apply early. CSS is administered by the DVD DVD Copy Control Association (DVD CCA). Near the end of May 1997, CSS licenses were finally granted for software decoding. The license is extremely restrictive in an attempt to keep the CSS algorithm and keys secret. Of course, nothing that's used on millions of players and drives worldwide could be kept secret for long. In October 1999, the CSS algorithm was cracked and posted on the Internet, triggering endless controversies and legal battles (see 4.8).

4) Content Protection for Prerecorded Media (CPPM)
CPPM is used only for DVD-Audio. It was developed to improve on CSS. Keys are stored in the lead-in area, but unlike CSS there are no title keys in the sector headers. Each volume has a 56-bit "album identifier," similar to a CSS disc key, stored in the control area. Each disc contains a media key block, stored in a file in the clear on the disc. The media key block data is logically ordered in rows and columns that are used during the authentication process to generate a decryption key from a specific set of player keys (device keys). If the device key is revoked, the media key block processing step will result in an invalid key value. As with CSS, the media key block can be updated to revoke the use of compromised player keys. The authentication mechanism is the same as for CSS, so no changes are required to existing drives. A disc may contain both CSS and CPPM content if it is a hybrid DVD-Video/DVD-Audio disc.

5) Content Protection for Recordable Media (CPRM)
CPRM is a mechanism that ties a recording to the media on which it is recorded. It is supported by all DVD recorders released after 1999. Each blank recordable DVD has a unique 64-bit media ID etched in the BCA (see 3.11). When protected content is recorded onto the disc, it can be encrypted with a 56-bit C2 (Cryptomeria) cipher derived from the media ID. During playback, the ID is read from the BCA and used to generate a key to decrypt the contents of the disc. If the contents of the disc are copied to other media, the ID will be absent or wrong and the data will not be decryptable.

6) Digital Copy Protection System (DCPS)
In order to provide for digital connections between components without allowing perfect digital copies, five digital copy protection systems were proposed to the CEA. The frontrunner is DTCP (digital transmission content protection), which focuses on IEEE 1394/FireWire but can be applied to other protocols. The draft proposal (called 5C, for the five companies that developed it) was made by Intel, Sony, Hitachi, Matsushita, and Toshiba in February 1998. Sony released a DTCP chip in mid 1999. Under DTCP, devices that are digitally connected, such as a DVD player and a digital TV or a digital VCR, exchange keys and authentication certificates to establish a secure channel. The DVD player encrypts the encoded audio/video signal as it sends it to the receiving device, which must decrypt it. This keeps other connected but unauthenticated devices from stealing the signal. No encryption is needed for content that is not copy protected. Security can be "renewed" by new content (such as new discs or new broadcasts) and new devices that carry updated keys and revocation lists (to identify unauthorized or compromised devices). A competing proposal, XCA (extended conditional access), from Zenith and Thomson, is similar to DTCP but can work with one-way digital interfaces (such as the EIA-762 RF remodulator standard) and uses smart cards for renewable security. Other proposals have been made by MRJ Technology, NDS, and Philips. In all five proposals, content is marked with CGMS-style flags of "copy freely", "copy once," "don't copy," and sometimes "no more copies". Digital devices that do nothing more than reproduce audio and video will be able to receive all data (as long as they can authenticate that they are playback-only devices). Digital recording devices are only able to receive data that is marked as copyable, and they must change the flag to "don't copy" or "no more copies" if the source is marked "copy once." DCPS in general is designed for the next generation of digital TVs, digital receivers, and digital video recorders. It will require new DVD players with digital connectors (such as those on DV equipment). These new products won't appear until 2001 at the earliest. Since the encryption is done by the player, no changes are needed to existing discs.

7) High-Bandwidth Digital Content Protection (HDCP)
HDCP is similar to DTCP, but designed for digital video monitor interfaces such as DVI. In 1998, the Digital Display Working Group (DDWG) was formed to create a universal interface standard between computers and displays to replace the analog VGA connection standard. The resulting Digital Visual Interface (DVI) specification, released in April 1999, was based on Silicon Image's PanelLink technology, which at 4.95 Gbps can support 1600×1200 (UXGA) resolution, which covers all the HDTV resolutions. Many new HDTV displays are likely to have both IEEE 1394 and DVI connections. Intel proposed a security component for DVI: High-Bandwidth Digital Content Protection. HDCP provides authentication, encryption, and revocation. Special hardware on the video adapter card and the display monitor encrypts video data before it is sent over the link. When an HDCP-equipped DVI card senses that the connected monitor does not support HDCP, it lowers the image quality of protected content. The HDCP key exchange process verifies that a receiving device is authorized to display or record video. It uses an array of forty 56-bit secret device keys and a 40-bit key selection vector -- all supplied by the HDCP licensing entity. If the security of a display device is compromised, its key selection vector is placed on the revocation list. The host device has the responsibility of maintaining the revocation list, which is updated by system renewability messages (SRMs) carried by newer devices and by video content. Once the authority of the receiving device has been established, the video is encrypted by an exclusive-or operation with a stream cipher generated from keys exchanged during the authentication process. If a display device with no decryption ability attempts to display encrypted content, it appears as random noise.

The first four forms of copy protection are optional for the producer of a disc. Movie decryption is also optional for hardware and software playback manufacturers: a player or computer without decryption capability will only be able to play unencrypted movies. CPRM is handled automatically by DVD recorders. DCPS and HDCP will be performed by the DVD player, not by the disc developer.

These copy protection schemes are designed only to guard against casual copying (which the studios claim causes billions of dollars in lost revenue). The goal is to "keep the honest people honest." The people who developed the copy protection standards are the first to admit that they won't stop well-equipped pirates.

Movie studios